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The Philosophy Of Film Noir

The Philosophy of Film Noir PDF

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Author: Mark T. Conard
Publisher: University Press of Kentucky
ISBN: 9780813191812
Size: 41.62 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 248
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Book Description: From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.


Film Noir

Film Noir PDF

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Author: Mark Bould
Publisher: Wallflower Press
ISBN: 9781904764502
Size: 14.81 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 144
View: 6759

Book Description: "Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at contemporary 'neo-noir' films. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the postwar period (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and in considering the history and continuing importance of noir, from Weimar Cinema to Sin City, this book is an indispensible guide to this still popular genre."--


Philosophy Black Film Film Noir

Philosophy  Black Film  Film Noir PDF

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Author:
Publisher: Penn State Press
ISBN: 0271046880
Size: 71.68 MB
Format: PDF, ePub, Docs
Category :
Languages : en
Pages :
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Book Description:


Encyclopedia Of Film Noir

Encyclopedia of Film Noir PDF

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Author: Geoff Mayer
Publisher: ABC-CLIO
ISBN: 9780313333064
Size: 22.74 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 477
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Book Description: Film noir, its directors, actors, histories, and themes, are presented for the student, scholar, and film fan.


What Is Film Noir

What Is Film Noir  PDF

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Author: William Park
Publisher: Rowman & Littlefield
ISBN: 161148362X
Size: 55.59 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 213
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Book Description: What Is Film Noir? surveys the various theories of film noir, defines film noir, and explains how the genre relates to the style and the period in which noir was created. It also provides a very useful theory of genre and how it relates to film study.


Early Film Noir

Early Film Noir PDF

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Author: William Hare
Publisher: McFarland
ISBN: 9780786483648
Size: 20.96 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 221
View: 813

Book Description: The name is French and it has connections to German expressionist cinema, but film noir was inspired by the American Raymond Chandler, whose prose was marked by the gripping realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions, cul-de-sac apartments, corporate boardrooms, and flop houses of America. Chandler and the other writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer, Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible for the creation of the film noir genre and its common plots and themes, are the main focus of this work. It correlates the rise of film noir with the new appetites of the American public after World War II and explains how it was developed by smaller studios and filmmakers as a result of the emphasis on quality within a deliberately restricted element of cities at night. The author also discusses how RKO capitalized on films such as Murder, My Sweet and Out of the Past--two of film noir's most famous titles--and film noir's connection to British noir and the great international triumph of Sir Carol Reed in The Third Man.


The Philosophy Of Film Noir

The Philosophy of Film Noir PDF

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Author: Mark Conard
Publisher: University Press of Kentucky
ISBN: 0813171709
Size: 74.44 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 264
View: 4964

Book Description: A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films—themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.


Film Noir And The Spaces Of Modernity

Film Noir and the Spaces of Modernity PDF

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Author: Associate Professor of Film and Media Studies Edward Dimendberg
Publisher: Harvard University Press
ISBN: 9780674013469
Size: 26.82 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 327
View: 3800

Book Description: This full-length anime action thriller follows the story started in the Sengoku Basara TV series, telling the story of a league of generals, who banded together to defeat an evil overlord, who threatened to dominate Feudal Japan. Now, their nemesis's loyal servant is on the warpath to avenge his fallen leader, and the fate of a nation once again hangs in the balance. ~ Cammila Collar, Rovi


Cornell Woolrich From Pulp Noir To Film Noir

Cornell Woolrich from Pulp Noir to Film Noir PDF

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Author: Thomas C. Renzi
Publisher: McFarland
ISBN: 9780786482818
Size: 37.74 MB
Format: PDF, Kindle
Category : Performing Arts
Languages : en
Pages : 368
View: 5893

Book Description: Extremely popular and prolific in the 1930s and 1940s, Cornell Woolrich still has diehard fans who thrive on his densely packed descriptions and his spellbinding premises. A contemporary of Hammett and Chandler, he competed with them for notoriety in the pulps and became the single most adapted writer for films of the noir period. Perhaps the most famous film adaptation of a Woolrich story is Alfred Hitchcock’s Rear Window (1954). Even today, his work is still onscreen; Michael Cristofer’s Original Sin (2001) is based on one of his tales. This book offers a detailed analysis of many of Woolrich’s novels and short stories; examines films adapted from these works; and shows how Woolrich’s techniques and themes influenced the noir genre. Twenty-two stories and 30 films compose the bulk of the study, though many other additions of films noirs are also considered because of their relevance to Woolrich’s plots, themes and characters. The introduction includes a biographical sketch of Woolrich and his relationship to the noir era, and the book is illustrated with stills from Woolrich’s noir classics.


A Panorama Of American Film Noir 1941 1953

A Panorama of American Film Noir  1941 1953  PDF

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Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Size: 31.89 MB
Format: PDF, ePub, Docs
Category : Education
Languages : en
Pages : 242
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Book Description: Beginning with the first film noir, The Maltese Falcon, and continuing through the postwar "glory days," which included such films as Gilda, The Big Sleep, Dark Passage, and The Lady from Shanghai, Borde and Chaumeton examine the dark sides of American society, film, and literature that made film noir possible, even necessary. A Panorama of American Film Noir includes a film noir chronology, a voluminous filmography, a comprehensive index, and a selection of black-and-white production stills.